Btb-front
Beyond the Blurb: On Critics and Criticism. Published by Cow Eye Press

COLLECTED ESSAYS ON LITERATURE AND CRITICISM:

EFN2

EXPERIMENTAL FICTION NOW


  • A survey of current writers whose work might be called "experimental." Includes a prefatory discussion defining terms, as well as essays on David Foster Wallace, George Saunders, Gary Lutz, Ben Marcus, Mark Danielewski, John Keene, Shelley Jackson, Steve Tomasula, more than a dozen others.
  • Free Pdf
  • Kindle Version
Iww

INNOVATIVE WOMEN WRITERS


  • "I offer here no overarching theory about the nature or direction of innovative writing by women writers, although as I do note in several of the essays in the first section, there is a recognizable affinity among numerous current writers for what I am here calling 'fabulation.'" Includes essays on Rikki Ducornet, Aimee Bender, Noy Holland, Helen DeWitt, Eimear McBride, more than a dozen others.
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  • Kindle/Paperback Version
APF (2)

AMERICAN POSTMODERN FICTION


  • "Although the term has come to identify a general attitude toward traditional intellectual assumptions or, more specifically, discernibly related practices in philosophy, the social sciences, and all of the arts, "postmodern" was originally a critical label attached to an emergent group of American fiction writers perceived to be challenging established literary convention."
  • Free Pdf
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Realisms

REALISMS

BSS

BETWEEN SILLINESS AND SATIRE:BLACK HUMOR FICTION


  • In the early to mid 1960s, an iconoclastic mode of American fiction that came to be called "black humor" presaged the larger movement succeeding it that eventually came to be known as postmodernism. This volume looks at the essential features of black humor fiction, with essays on all the major black humorists: Joseph Heller, Kurt Vonnegut, Bruce Jay Friedman, Terry Southern, and more.
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AODPurdy

THE ART OF DISTURBANCE: THE NOVELS OF JAMES PURDY

My Post (6)

MANY WINDOWS: ON EXPERIMENTAL FICTION


  • Is a work of experimental fiction really an experiment? What was metafiction? Experimental fiction and tradition. New Romancers. Poetic structures. Fiction as performance. Varieties of experimental fiction.
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  • Free Pdf
Angle

A WIDER ANGLE: AMERICAN FICTION AT THE PERIPHERY


  • Beyond the major publishers’ seasonal lists to out-of-the-way presses and lesser-known writers.
  • Kindle Ebook
  • Free Pdf
Litsphere

THE LITERARY SPHERE: TAKING CRITICISM ONLINE


  • "In this volume I have included most of my substantial posts on the blog as medium, as well as literary culture online in general. . .They are presented in chronological order, from 2004 to 2019. I have chosen this arrangement because it shows the development of my thinking about online literary criticism and because it may perhaps be interesting for readers to survey the issues that arose as literary blogging itself developed. "
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Tiol

THE IDEA OF LITERATURE


  • What do we talk about when we talk about literature? This volume explores that question by, first of all, looking "inside the text" at the dynamics of reading and the tangible effects of writing. It then moves "outside the text" to consider the relevance of social context and culture to perceptions of literature, as well as the assumption it is the writer's job to "say something" of political or moral value in addition to (even as a substitute for) creating literary art.
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  • Free pdf
My Post (5)

LITERARY AESTHETICS

Lituni

LITERATURE IN THE UNIVERSITY


  • Inventing Literature. Performing Literature. Reading Literature. Theorizing Literature. Historicizing Litera- ture. Relinquishing Literature. Reclaiming Literature?
  • Kindle Ebook
  • Free Pdf
LR

LET'S REVIEW: BOOK REVIEWING AS LITERARY CRITICISM


  • A collection of essays considering the current state of general-interest book reviewing. Topics include: negative vs. positive reviewing, gatekeeping, writers reviewing writers, and criticism in cyberspace, among others.
  • Free Pdf
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« Look Who's Talking | Main | Communication Skills »

07/04/2004

Comments

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Ray Davis

Your reservations certainly seem supported by Vendler's having chosen as her canonical "scholar" an aesthetic hedonist who notoriously did *not* work in the academy.

doug

Well, should we study literature in college or not? And if not, why not?

You seem to imply that we shouldn't, that at best it's beside the point and at worst ultimately destructive. Is that your position?

(Personally I think the question brings with it a lot of unexamined assumptions, such as the importance of universities in cultural life generally. My answer is 'that's the wrong question to ask'. But that's me, not you.)

doug

Dan Green

"Well, should we study literature in college or not? And if not, why not?
You seem to imply that we shouldn't, that at best it's beside the point and at worst ultimately destructive. Is that your position?"

That is actually pretty close to my position. What has academic literary study done for literature, really? Succeeded in putting it at the heart of the curriculum? Made it more accessible to more people? Created generations of well-read graduates? At the moment, the reigning assumption of literary study is that it's not much worth studying at all except to help score political points. Would literature be worse off if we didn't have literature professors?

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On Contemporary Fiction